FIRE EXTINGUISHER #14 – DEN HAAG – 1995

 

RETROSPECTIVE (FIRE EXTINGUISHER) – ROTTERDAM – 2018

 

How do you show temporary, site-specific art years later in a RETROSPECTIVE?

Harmen de Hoop re-created works in Rotterdam that were made anonymously and without permission in other cities.

The question is: in what way does a new location and a different context change the meaning of the work?

 

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