RETROSPECTIVE (LADIES & GENTS) – ROTTERDAM – 2017

 

LADIES & GENTS #1 – BERLIN – 1993

 

How do you show temporary, site-specific art years later in a RETROSPECTIVE? Harmen de Hoop re-created works

in Rotterdam that were made anonymously and without permission in other cities. The question is: in what way does

a new location and a different context change the meaning of the work?