RETROSPECTIVE (LADIES & GENTS) – ROTTERDAM – 2017
LADIES & GENTS #1 – BERLIN – 1993
How do you show temporary, site-specific art years later in a RETROSPECTIVE? Harmen de Hoop re-created works
in Rotterdam that were made anonymously and without permission in other cities. The question is: in what way does
a new location and a different context change the meaning of the work?