FIRE EXTINGUISHER #14 – DEN HAAG – 1995
RETROSPECTIVE (FIRE EXTINGUISHER) – ROTTERDAM – 2018
How do you show temporary, site-specific art years later in a RETROSPECTIVE?
Harmen de Hoop re-created works in Rotterdam that were made anonymously and without permission in other cities.
The question is: in what way does a new location and a different context change the meaning of the work?